Thursday, October 8, 2009

dance, bad mothers, remash

Just wanted to post a quick link to the Martha Graham Dance Company Clytemnestra ReMash Challenge, which was a contest held earlier this year to encourage people to submit video dance reinterpretations of the classic 1950s Graham ballet, Clytemnestra. Clytemnestra, of course, is one of the worst mothers of ancient Greek tragedy: scheming against her husband, sleeping with his enemy, and eventually murdering him. She also got her due when her outraged son, Orestes, decided to avenge his father's death and commit matricide. With Clytemnestra, motherhood and the logic of generational reproduction is disrupted; rather than being the catalyst for enlarging the family, Clytemnestra is responsible for making it smaller.



It seems that this notion of remaking or remashing* the dance, taking it out of the hands of professional dancers and into the general public by encouraging new interpretations (making the Martha Graham company act as viewers rather than performers), in some ways relates to the inverted motherhood of Clytemnestra, and it's interesting that the Internet would be solicited as the medium by which this process occurs.

On an unrelated note, motherhood figured prominently on last week's episode of Dollhouse (which is such a great, great show!). I won't go too deep into the show's premise here, but it's enough to know that the show features a group of people who are regularly "imprinted" with other personalities, for varying ends. The imprint of a "mother" persona this week caused one of the most deepest and lasting impressions, because this particular imprint affected not only the mind, but caused the recipient to begin lactating. So motherhood here, or the bond between mother and baby, is figured in this show, at least, as the most profound "identity" that can be acquired, one that is specifically enacted through the body against or autonomously of the mind (the episode is entitled "Instinct").

*William Safire was baffled by the use of the word remash. From the Times, Feb 15, 2009: "In re re-mash: This could be a remix of a remix, or a remix of a mashup or a mash-up of a remix; it seems to be a coinage in process. The word was disseminated worldwide in January 2009 in an AP article by Verena Dobnik: "The Martha Graham Dance Company is launching a global competition challenging anyone who's cybersavvy" to enter "the Clytemnestra ReMash Challenge." To interest a new generation in a cultural classic, contestants are invited to create four-minute online videos comparing the vengeful Greek mythical heroine to a present-day celebrity. The contest submissions are to creatively transform short video dance excerpts into a ReMash online spot. The intent is to call the attention of today's cutting edge to an art form they might otherwise overlook by capitalizing on, and perhaps satirizing, the current dash to mash."

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